![]() ![]() But if you do a few simple things, and most importantly consider distributing your content via a third party, you’ll set yourself up for success in the future.Ĭarl LeGrett runs music publishing for Create Music Group, one of the fastest growing music and media companies in the world. It’s a tough world out there, especially for up-and-coming music creators. It may be a better strategy to watch that track climb the charts and rack up plays because if the track becomes a Bonafide hit, as a copyright holder, you’ll have a lot more leverage to make a deal with what in all likelihood is now becoming a track on a major label. If a track is on the rise on YouTube – and things move very, very quickly on the platform, filing a claim might stop it dead in its tracks. Once the counter is submitted, all future revenue is held in an escrow account until the dispute is resolved.īut what if someone takes your beat and it blows up? It may behoove you to wait to claim it. As a producer, if a claim is made against your channel – you can login to your YouTube Studio account and submit a counter to the claim. What do you do if you see that someone else takes your beat and is using it in their own YouTube video? The Platform’s Content ID system is robust and will hopefully identify the track. Anybody can click the description on any YouTube video and go to the bottom and see who the track belongs to. Once you’ve distributed your track on YouTube, it’s easy to check if it’s being credited and monetized properly. User Generated Content is where the real money is. Distributing your content via a third party company also ensures that you’ll get paid if your track goes viral on YouTube and other people use your track in their videos. (You may not always want to do this, but more on that in a minute). Now the music is recognized via Content ID, so if someone takes your track, you can decide to make a claim on their song. However, everything changes once you officially distribute your content – and that can be a beat, a song, whatever. As a producer, you basically have little recourse to protect your material if you upload your track as a web asset. ![]() Because they didn’t officially distribute their material, it’s not identifiable through YouTube’s Content ID system. They upload a cool new beat that someone else can take and make into their own song. However, the problem with Web Assets is that it gives others access to post your work and play it on their channels without paying you for it.įor that reason, in my mind, the biggest mistake that most producers make is not distributing their work. They are the only way to monetize on YouTube without partnering with a third-party distributor or YouTube monetization company. Web Assets can be a blessing and a curse. This asset also has information about the copyright holder.
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